The Walking Dead And The Awesomeness It Could Be

Contrary to what these actors believe, accents do not equal acting.

 This Sunday marks the return of the second season of The Walking Dead, arguably one of the several shows AMC has to offer. It’s currently the best show featuring survivors of a zombie apocalypse on AMC right now. Possibly ever. It’s a bit of a bittersweet return, coming back after a brief midseason holiday hiatus. Fans of the show, this writer included, spend much of their time trying to either defend it, denounce it, or both. Its fan base could be considered one of the more loyal fan bases around, because the thing about the Walking Dead is not that it is necessarily good. Calling it that would be a bit of a stretch. Its fans stick around because they really, really want it to be good, and a couple pinpoints of shimmering hope show that it really does have the potential to be good, but it’s got a lot of work to do get there, and it’s very quickly running out of time. 

Accurate representation of the show's current status.

The debut episode of The Walking Dead was an incredible cinematic debut. It was something that almost could have worked as its own movie. It threw the main character and the viewers head first into the zombie-plagued world of the show with great moments, breathtaking cinematic views, and one of the most impressive displays of television make-up and special effects wizardry in the groaning, shambling undead themselves. It also focused almost solely on the protagonist, sheriff Rick Grimes, as he awakes from a coma into a whole new nightmare altogether. Fans of the comic book series who had been worried the show would not do the comics justice rejoiced, as they saw their beloved series come to life on a channel known for its reputation of high quality television series like Breaking Bad and Mad Men. 

Then the series continued, and as it did so, more characters were introduced. And herein lies one of The Walking Dead’s biggest problems, both in the book and the television show. There are so many characters. When the first season of the show is only six episodes, characters need to be introduced slowly. All the characters converged by the third episode, and were barely given screen time to do anything that could be remotely considered character development. With such little time, it’s hard to pull that off. Lost had tons of characters, but also started out with 24-episode seasons back when serialized dramas could get away with that. The second season was picked up for a much longer season, but the first half of it was wasted on a plot that really should have lasted only two or three episodes. 

However, all of this could have been fixed or improved if the writing had been better. Fans of the show probably know about the troubles plaguing the writing staff, with show runner Frank Darabont firing the entire writing staff after the first season and hiring freelance writers in their place, then ultimately leaving the show after creative and financial disputes with AMC. The results of this are evident in the show, due to the fact that virtually none of the characters are likeable, save for maybe two or three characters, and plots that stretch out far too long to maintain interest. The first half of season two would be the prime example of this, especially the latter. Even though the twist at the end of the last episode shows that the writers at least have an idea of what they’re doing, they’ve still got quite a few kinks to figure out. 

This.

There is one thing the writers do have going for themselves. From the outset, Darabont and Walking Dead creator Robert Kirkman have stated they’re interested in straying from the comics plot-wise in order to explore some new possible plot lines in the show, but this hasn’t completely worked in their favor. Since the show has been picked up for a third season, it’s not too late to go back and stick to the source material. The books have some of their own flaws, but they’re never afraid to take risks with the plots and do some insane and dark stuff to prove that absolutely nobody in the comics is truly safe, which combined with decent character development, makes the comic book series that much more devastating. One setting in particular (and those who have read the books know what I’m taking about when I say “Bring on the prison and The Mayor”), could give the show writers more than enough awesome moments for an entire season. The third season has the potential to be great. All the writers need to do is just stick to the source material. But until then, only time and the rest of this second season will be able to tell if The Walking Dead can become the show its fans know it can be. 

Jimmy Fallon: All Around Nice Guy and Indy's New Bestest Buddy

The J-Man himself.

For those of you who may or may not know (and if you don’t, are you living under a rock? What’s wrong with you?), the Super Bowl has come to Indianapolis, which just so happens to be where this writer is from. Now the thing about the Super Bowl is that when it arrives at its destination (as sporting events anthropomorphized as a traveling being are wont to do), it brings with it the national spotlight, and if it’s one thing Indianapolis isn’t necessarily accustomed to, it’s the national spotlight. 

In the week leading up to the grand sporting event, part of the host city is transformed into party central. Since Downtown Indianapolis is a fairly small city, essentially the entire place is now one giant party. As I write this, visitors from all over the country are converging onto our fair city. And they’re not just football fanatics. Celebrities are hanging out like it’s some kind of miniature New York or something. In the last few days, werewolf/llama/human hybrid Taylor Lautner was sighted on IUPUI’s campus and Baby Goose himself, Ryan Gosling was seen perusing paintings at the Indianapolis Museum of Art. For the first time in, I assume ever, Indianapolis is in the national news for something other than Peyton Manning doing things, Ron Artest storming the stands, or the Indy 500 merely existing. 

One of the individuals who have decided to take on the role of Indianapolis’ temporary ambassador to the rest of the world is former Saturday Night Live star and current host of Late Night, Mr. Jimmy Fallon. He has brought the Late Night show, and his house band, The Roots, to the Circle City and has fully embraced it with open arms. His stage has not one, but two different Indianapolis skyline back drops, his opening theme montage is nothing but scenery of Downtown Indianapolis, and the show is being filmed in Hilbert Theater, home of the Indianapolis Symphony Orchestra, which was on hand to play music with The Roots for the episode. Luckily, I was fortunate enough to obtain free passes to the taping of Late Night’s first episode in Indianapolis. 

Jimmy seen Downtown in drag. Sexy.

I braved the traffic and pedestrian hell party that was downtown to make it to Hilbert Theater, procure my ticket, and get inside for the taping of the show. After everyone was seated and the douchey hype guy warmed the audience up, Jimmy Fallon finally took center stage with a fantastic opening shot of himself and the screaming audience in the background as he welcomed the rest of the world to Indianapolis for his show. The show featured guest appearances from Tracy Morgan (who was fantastically weird), Tim Tebow (who is…just Tim Tebow, I guess), and The All American Rejects (who dress like douchebags and whose first album was better than their first album).

During his admittedly mediocre opening monologue, he had one line where he stated “I promised I wouldn’t pander to the Indianapolis audience with a bunch of local references. I promised this while hanging at Larry Byrd’s house drinking a root beer from Mug N Bun to wash down my shrimp cocktail from St. Elmo’s Steakhouse.” The crowd roared, and continued to do so any time anyone made any reference to Indianapolis. The first sketch of the night was filmed in Indianapolis and featured Jimmy Fallon racing Marco Andretti in a Chevy Malibu at the Indianapolis Motor Speedway (with Bob Costas tied up in the back seat as a ransom plot to get Super Bowl tickets. As a journalist, it tickles my funny bone greatly any time a famous news personality does a comedic cameo. See: any time Brian Williams appears on 30 Rock. Anyways, moving on). Later in the night he briefly mentions David Letterman, who is a Hoosier. Fallon’s also been seen filming another sketch in drag on Monument Circle. The man knows how to get as much out of Indianapolis as he can, and Hoosiers couldn’t be happier about it.

Just as citizens of any city should be, Hoosiers are ridiculously happy to have their hometown featured in the national spotlight, because like I said before, we don’t get a chance to stand in it as often as most other cities. The first time I ever visited Chicago, I was a little overwhelmed and star struck about the whole thing. I told my companion I felt like I was finally part of the rest of the world. After wandering the Super Bowl Village and seeing an amount of people Downtown Indy won’t see again for a very long time, I got that same feeling again, and I’m fairly certain a lot of other Hoosier also got this same feeling as well.

Indianapolis’s bid for the Super Bowl is ultimately a bid for more national attention. We’re essentially the main character from almost any 80’s high school movie. We’re throwing a giant party and inviting the rest of the country so we’ll gain more popularity with the popular kids like New York City and Los Angeles. If all goes according to plan, Indianapolis will hopefully become more likely to pop into someone’s brain as a potential travel destination for something other than a concert or sporting event. Jimmy Fallon, along with a handful of others, is like the cool kid that takes Indianapolis under his wing and helps him make that ragin’ party happen, and it’s for that, we salute you Mr. Fallon. You’re helping a great cause for a great city. Oh, and you helped me get on television. 

Look at this fuckin' asshole.

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(Check out my Twitter account for my live-tweets from the show. GIVE ME UNDESERVED ATTENTION!)

(Also, feel free to comment and share this story with your friends. Or we'll find you.)

The Obscure Joke That Is The Golden Globes: TV Edition

By Scott Raychel

Oh Ricky, you so devious...

Well, the Golden Globes happened last night, and while it may not be said for the movies portion of the awards show, the television awards were sadly predictable, especially given the predictable nominations, which were only overshadowed by the fact that most of the nominations were a complete joke to begin with. But it happened, and with it comes the yearly debate on the merit of the Golden Globes. It’s secondary to the Oscars and the Emmys, but it’s still treated like it’s one of the big guys, despite its quality being consistently low and the outcomes normally ridiculed. This year was no different. Here’s how.

Ricky Gervais Hosted…Again…

Excuse me while I have a word with Ricky Gervais for a moment. Look, we get it, Ricky. You’re CONTROVERSIAL. You say things that supposedly hurt people’s feelings. But the problem with that whole concept is that in the end, you’re only helping those people’s careers. You made fun of the likes of Kim Kardashian, Justin Bieber, and Eddie Murphy, and the internet stands around the proverbial, digital water cooler the next day and plasters their names all over the place. They get a ratings boost without actually have shown up to the ceremony. It worked well the first year, because people didn’t quite expect it. But this year, celebrities basically showed up with a giant target on their backs, waiting for you to say something about them, because they knew their names would be the talk of the next, sad miserable Monday morning. Congratulations, you’re hurting your cause. But the worst part of all this, is that you very likely know this is exactly what you’re doing. You’re a troll and you know it, and the fact I’m taking your bait just means I dislike you even more. Please get off my television screen, you cheeky bastard.

Modern Family Won Best Comedy…Again…

Modern Family, while being a fairly good television show, is a fairly by-the-numbers single camera comedy. It’s been chugging along for a couple years now, not really content with the idea of pushing its boundaries, and when pitted against shows like Enlightened, Episodes, New Girl, and Glee, it wasn’t a surprise it was going to win. But had it been pinned against shows like Community, Parks and Recreation, or Louie, Modern Family wouldn’t (or shouldn’t) stand a chance. Community is the televised definition of the word “ambition,” Parks and Recreation is currently the gold standard for stellar ensemble casts, and Louie is some of the most groundbreaking stuff on television, but all three of these shows were completely snubbed, save for a couple acting nominations that also went un-noted. But if it doesn’t do well in the ratings, then it obviouslyain’t worth caring about. 

Breaking Bad Got Screwed Over…Again...

While it’s a pretty great time for dramas this season, the undisputed king has to be AMC’s already-classic meth juggernaut Breaking Bad. Well, unless you ask the Hollywood Foreign Press, apparently.For the third year in a row, Breaking Bad was nowhere to be seen on the ballots. Sure, Bryan Cranston got a Best Dramatic Actor nod, but lost to KELSEY GRAMMER. Allow me to repeat for emphasis: Three-time dramatic Emmy-winning actor Bryan Cranston lost a dramatic acting award to KELSEY GRAMMER. Season 4 of Breaking Bad not only had some of the best well-acted moments of television this season, but it was good enough that one could argue Bryan Cranston or Aaron Paul could carry a whole movie by themselves. Anyone who would think otherwise should be directed to this video: a brief scene displaying Cranston’s portrayal of a man hanging on to the end of his rope after it’s already snapped and let him fall to absolute rock bottom. The laugh is enough to make Heath Ledger’s Joker himself cringe in tense discomfort. 

Almost Nobody Is Asking Who The Hell The Hollywood Foreign Press Association Is...Again…

Has anyone ever thought about who they are? Everyone knows the Academy is comprised of actors, directors, filmmakers, and more. But the HFPA? Someone did some investigating, and guess what they found out? The people that decide who and what gets nominated and wins Golden Globe awards are actually just real-estate agents, car salesmen, showbiz publicists, hairdressers, and four or five measly journalists. The only requirements for membership are permanent residence in Southern California and only four published articles per year.

And this is exactly why nobody should ever take the Golden Globes seriously. It’s basically a giant circle jerk for people who felt jilted by the Academy of Motion Picture Arts and Sciences. The only reason they’re on television is because Dick Clark managed to get them a shot on network television. But really, nobody should taking award shows seriously, anyways. They’re all circle jerks, and we hate them because they never agree with the word of the people. But then again, how could the Academy or the Hollywood Foreign Press Association be blamed when the general public can’t really be trusted with something like the People’s Choice Awards?

Hardcore Music And The State Of The Local Scene: A Reflection

In the last seven days, I’ve seen a few compelling arguments for the revival of hardcore music in Indianapolis. In referring to music, the term “hardcore” is one of those pesky labels that gets thrown around too loosely and can end up losing its core meaning (pun intended.) But this carelessness of labeling music genres is also a great benefit to hardcore music. It allows for flexibility, which the bands of Indianapolis have taken advantage of.

Adam Jones, of Male Bondage

Chaotic Neutral, having already received a mention on this prestigious blog, are at the forefront of the hardcore revival in the Circle City, but several other bands have stepped up to the task of filling the void left by hometown favorites who have all played their final shows in the last two years. A couple days ago, the Melody Inn bar played host to Male Bondage, a new band with members of Full Rainbow, You’re A Liar, and recently deceased Bolth. This foursome is the result of when the Full Rainbow brothers’ penchant for stoner metal meets the more aggressive and melodic tastes of the other two members’ original bands. 

Sir James Lyter himself.
(Picture taken by Kris Arnold)

Male Bondage’s drummer, James Lyter, also happens to be the drummer for another, currently, more established band, Step Dads. If it wasn’t for Chaotic Neutral existing, Step Dads would’ve gotten my pick for best local hardcore band in Indy, but it’s not to say they’re any less inferior.  It’s female-fronted post-hardcore at its finest, and with a dedication to DIY shows, they’re a valuable asset to Indy’s music scene.

Those who have been involved long enough in the local music community may notice a common thread running through Chaotic Neutral, Step Dads, and Male Bondage. They all share at least one member (Lyter himself is the sole common denominator here). This isn’t at all uncommon in Indy’s band community. Chaotic Neutral’s members have all previously been in bands that have called it quits. Socially conscious punk group Indianapolis Forever has members, save for Piradical Productions co-founder Stephen Zumbrun, are all currently in other bands. Another new hardcore band I’ve seen in the last week, Piss Artist, has members who have been, or are still, in other bands. 

To call any of these bands “super groups” would be a bit unnecessary. A super group happens when a several different artists want to get together to make music because they all figured “Hey, why not?” out a sense of expanding upon their already well-established musical careers. Musical artists on a local level form new bands with each other because they have a constant need to evolve and adapt to the current climate of their local music scene and in their personal lives.

Step Dads

Music scenes, not just in Indianapolis, but anywhere, have this same nature. Eventually, someone somewhere in the scene will cry wolf and proclaim that the music scene is currently dead, and that we need to band together and bring it back to its apparent former glory. Sometimes, they’re right, but way more often than not, they’re hilariously wrong. Music scenes adapt and evolve, just as musicians do. Hardcore bands, I think, are probably the most representative symbol of this nature. Bands don’t last forever. Some don’t last very long at all. But true musicians always find ways to continue their craft and improve themselves and their community, and as long as musicians continue to do this, their music scene will stay strong.

The Current State of Television

Writer’s note: You may know me as the writer for Basements and Bass, Indianapolis’s top source for local music news (suck it, IndyConcerts). But what you may not know about me, is just like any average joe, I loves me some television. So when the Indianapolis music scene leaves me with a little downtime (the gauntlet has been thrown, Indy bands. Get to work!), I will be using this space to write about the state of modern television, where I’ll inform you on what you should be watching (basically the NBC Thursday night line-up and Breaking Bad) and on where you’re screwing up (basically the majority of CBS). 

Television seasons always take a break during the holidays, just when a lot of viewers’ favorite shows just start getting good, leaving the average viewer ready and eager for more come the first week of January. Since there hasn’t been much to dwell on in the last few weeks, it’s time to look forward to when our beloved shows are returning, and which shows should be getting the most of your attention. 

30 Rock (NBC)

There’s a lot of questions to answer returning to this comedy that’s been on hiatus since last spring due to star Tina Fey’s pregnancy. Particularly: How will the show address the death of North Korean dictator Kim Jong-Il after moving him into place as a possible central plot-device near the end of the show’s surprisingly good season five? How will the show, if at all, handle Tracey Morgan’s homophobic tirade from last summer? Will Alec Baldwin phone it in after expressing his desire to leave the show or will he continue to bring his A-game to one of the best characters on 30 Rock? Season six will certainly have a lot on its plate.

Archer (FX)

FX has proved in the last couple years that it can hang with the best the network giants have to offer, and while we’ll still have to wait a while for Louie to return this year, the best animated sitcom on television, Archer, is about to start its third season after a three-part episode featuring the titular spy becoming a pirate king. H. Jon Benjamin has a golden voice for comedy, and having several Arrested Development alumni on board helps this animated comedy remain consistently hilarious, whether or not you may get the jokes.

Community (NBC)

This one’s a little uncertain as to when it’s coming back because DEAR GOD WHY AREN’T YOU WATCHING THIS SHOW YET WE NEED MORE PEOPLE WITH NIELSEN BOXES TO STEP UP BECAUSE IF YOU’RE WATCHING TWO AND A HALF MEN AND THE BIG BANG THEORY INSTEAD OF COMMUNITY YOU ARE PART OF THE PROBLEM AND I HATE YOU! CHILIDISH GAMBINO ANNIE'S BOOBS INSPECTOR SPACE TIME!

How I Met Your Mother (CBS)

It’s still going after seven seasons and only just now appears to be piecing the final parts of the puzzle together, but How I Met Your Mother still somehow manages to remain funny and interesting. I like to call this show the “Lost” of sitcoms because it’s one of the few sitcoms to maintain a rich mythology throughout its run (Arrested Development is a perfect example of how to pull this off). It also helps to have Neil Patrick Harris be the driving force for the central plot of one of the best seasons the show has seen to date. 

Justified and Game Of Thrones (FX and HBO)

RELEVANT

I’m not going to lie to you. I haven’t watched either of these shows, though watching the first season of Game of Thrones is currently on my to-do list. However, both of these shows have received intensely favorable critical adoration and a lot of people have been talking about how great there are, so there. I’m going to go back to watching re-runs of Breaking Bad and Boardwalk Empire.

Misfits (Hulu)

To put it straight, Misfits is the show Heoes wanted to be. This British series about a group of juvenile delinquents gaining super powers acts as a comedy, drama, and sci-fi show all in one. The show’s main anti-heroes deal less with a new villainous threat to the world and more with finding a place to belong in a society that views them as outcasts, despite many members of that society also gaining super powers themselves. While not on American television, Misfits has made its way to Hulu, where the first two seasons are available and the third season is currently under way.

Parks and Recreation (NBC)

It’s hard to care about The Office when Amy Poehler and the rest of the cast of Parks and Rec are living the dream Steve Carrell accomplished and moved on from last year. Parks and Recreation has rapidly become one of the funniest, sweetest, and best shows on television in just three and a half seasons, with fantastic characters that don’t ever feel forced and great comedic writing. This season has been focusing on Poehler’s character, Leslie Knope’s attempts to run for city council and her budding romance with her former co-worker, a romance that’s actually sweet and interesting to watch unfold, which is something most television shows fail to pull off.

Portlandia (IFC)

Consider this my pick for sleeper hit of the season. The first season of this sketch comedy show (which is now on Netflix) headed by Saturday Night Live’s Fred Armisen and indie band Wild Flag’s Carrie Brownstein, features the two as various characters living in Portland, Oregon. Many of the characters are self-important intellectual types like feminist book store owners and self-righteous alternative punks, but Armisen and Brownstein treat the show as more of a love-letter than stinging satire. The first episode opens with a musical number proclaiming “The dream of the 90’s is alive in Portland.”Portlandia aims to celebrate that dream.

Indiana's Finest: The Best Local Bands of 2011

It's been a pretty crappy year for the American music industry. With a handful of exceptions, the radio waves provided a pretty lackluster presentation of Top 40 artists and singles which were fairly forgettable after first listen. Despite this, Indianapolis has managed to carry on and put forth some of the best bands and music the city has ever seen, creating a shining beacon of hope in the Midwest for quality music that hopefully the rest of the country can get on board with. The best thing about this particular list is that all of these bands just recently got their footing in the last couple years, especially in 2011. And what's amazing is many of these bands consist of people who are considerably younger than the average pop artist, but already offer up something better and more refreshing. Here is a list of the best local bands the Circle City has to offer.

It's All Happening - Band Voted Most Likely To Succeed In Their High School Yearbook

If there's one band likely to come out of Indianapolis and establish themselves as the country's next big rock band, it'll be It's All Happening. From the start, it's easy to tell these gentlemen have had nothing but stars in their eyes, with music that could easily take its place on radio waves alongside the top rock artists in the country. Even the band's name, a reference to the movie Almost Famous, is a hint at their desire to go further than any band in Indianapolis. They know what they want, and they have it down to a science.With a punk and rock & roll style borrowing influence from bands like The Clash and Samiam, making it big shouldn't be a problem for It's All Happening.


Facebook page here.
Website here.

Subatomic - Most Punx Up'd in a Single Calendar Year

Subatomic is one of the best and most hard-working punk bands in Indianapolis. The band recorded and released their first full-length album, expanded their reach across Indiana, and went on a five-day tour known as the MidWest Fuck The Rest tour. On top of all that, front man Kenneth Keener put together the first all-ages, all-punk fest in Indianapolis, Punks Don't Give A Fest, featuring over a dozen young, eager punk bands. Their sound, which weaves back and forth between blistering street punk, catchy pop punk, and brutal hardcore, has fans going wild as they scream along and mosh with the most manic of energy, a sign that Subatomic's hard work is definitely paying off.

Facebook page here.
Bandcamp page here. 

Earthbound - Best New Band To Look Out For In 2012

Finally, ska has returned to Indianapolis in the form of this young and enthusiastic ska-punk band! Earthbound broke into the Indianapolis music scene after winning Piradical Productions' annual High School Battle Of The Bands, and have been making waves ever since. All of the members are still in high school, and during their first year of shows, they have shown incredible improvement in their musicianship and song-writing. With some more time and some more shows, they'll accomplish what few have managed to do: be a solid ska band Indianapolis can be proud to call its own.

Facebook page here.
Bandcamp page here.

Scumbelina - Best New Band In A Stale Genre

Also getting a boost from participating in Piradical Productions' High School Battle Of The Bands, Scumbelina is a breath of fresh air in the psychobilly punk subgenre, which is an impressive feat considering many of the best psychobilly bands are still in the middle of their own midlife crisis. The young trio feel right at home in their rockabilliy roots and have the musicianship to show it, displaying an energy that some bands of their genre just don't have anymore. Thanks to Scumbelina, rockabilly could have a bright future in Indianapolis.

Facebook page here.

Comfort - Most Underrated Band in Indy

If there's one band that hasn't yet received enough recognition in the Indianapolis music scene, it's Comfort. If Blink-182 drank more than they already do and got much more depressed because of it, Comfort would be the result. But for where they lack in optimism, they make up for in sheer power. For a pop punk band, Comfort is loud. So loud, Nigel Tuffman would shed a tear of joy. Their first full-length, "Hoover," is one of the best local albums to come out this year, and with it, they're starting to gain a better following. 2012 will very likely be their year.


Facebook page here.
Bandcamp page here.

Chaotic Neutral - The New Kings of Indianapolis Hardcore

The Indianapolis hardcore music scene took a hit this year with local hardcore legends The Dream Is Dead, In The Face Of War, and Bolth all calling it quits and playing their final shows in the last year alone. But Indy hardcore is far from dead, and Chaotic Neutral is a testament to this fact. A super group of sorts, Chaotic Neutral's members have all been in bands that have seen their demise, and eventually came together this year to form the band, whose hardcore punk blend features panicked and pissed-off vocals over thrashing guitars and fast, pounding drums. Chaotic Neutral is a force to be reckoned with, as they could very likely be Indy's next great hardcore band.


Facebook page here.
Bandcamp page here.

 

Pessoa - Best Drunken Cry Mosh

Pessoa is one of the many bands riding high on the revival of early 90's emo music, but what helps them stand out in the genre is how incredibly accessible they are when compared to their peers. The vocals are clear, the lyrics easily relatable, and their music is full of infectious punk and indie melodies and just enough of that noodly twinkle to keep emo veterans and newbies alike singing along to every song, and that's not an exaggeration. Pessoa has one of the most enthusiastic fan-bases in Indianapolis, hanging onto every word while shoving and climbing over each other to prove it, especially during fan-favorite "The Coming Up Right," which is easily one of the best songs to come out of Indianapolis this year.


Facebook page.
Bandcamp page here.

Indian City Weather - Best Local Band of The Year

The pick for the year's band is pretty much a no-brainer. Indian City Weather (exclusive interview here) is one of the Circle City's most original bands, combining indie rock with hip-hop beats to make music so connectable and infectious it's hard to find a better band. Riding on the success of their "Leather Lungs" EP, the band has been all over the all-ages circuit and beyond, making it almost impossible to find a show they weren't playing on while making appearances on local news and opening for Machine Gun Kelly at the Egyptian Room. But for these fine, young gentlemen, the hard work has definitely paid off. Indian City Weather is in the middle of recording their first full-length album, which is expected to be out next year, so expect to see them continue ahead full-steam in 2012.

Facebook page here.
Bandcamp page here.

The Most Badass Christmas Songs Ever

Every December, shopping centers and radio stations devote almost all of their airplay to the yearly tradition of round-the-clock Christmas music. The songs are meant to promote cheer and happiness during a time when everyone is trampling over each other during Christmas shopping sprees and dreading the inevitable visit from their creepy, drunken uncle while they drown their sorrows in a glass of eggnog that never really seems full enough. Nearly everyone (except that one asshole that arranges your office's depressing holiday party every year) gets tired of Christmas music days before Christmas even arrives. This is why it's always important to spice things up a bit, so here's are five Christmas songs badass enough to make Santa Bot himself weep tears of joy.

Christmas With The Devil - Spinal Tap

The clown princes of heavy metal, Spinal Tap made their contribution to the ever-expanding catalog of holiday music and reinforced their relationship with Satan with "Christmas With The Devil." Haunting organs give way to a guitar riff so punishingly evil, it could only be written by the original metal gods themselves. The band says the song doesn't promote satanism, but instead claiming "Man’s relationship with the Supreme Evil One is a very private affair. The song is just a depiction, imagining what’s happening with Satan this time of year. Think about it from the devil’s point of view is all we’re saying." The lyrics give further insight:

The elves are dressed in leather
And the angels are in chains
(Christmas with the Devil)
The sugar plums are rancid
And the stockings are in flames
(Christmas with the Devil)
There's a demon in my belly
And a gremlin in my brain
There's someone up the chimney hole
And Satan is his name

With "No bells in Hell, no snow below" Spinal Tap prefer their Christmas as black as the Devil's soul, and they wouldn't have it any other way, which is why they deserve a spot on this list. It speaks for itself, really.

Santa Claus Is Coming To Town - Alice Cooper

This classic Christmas song has always had creepy undertones painting Santa Claus as an omnipresent being that rewarded the good and punished the bad, but the cheery tune usually just left the listener without a care despite the fact the song exposes the jolly fat man as essentially Big Brother. Alice Cooper fixes this problem by giving the song the terrifying makeover it really needed. Want your kid to straighten up before the holiday season? Have him listen to this version of the song. Before you know it, he'll be shoveling the driveway and trimming the tree when he's not laying in bed awake at night crippled with fear at the thought of "Santa Claws" watching him while he sleeps. "He knows where you live. He knows that your window is open. He knows what's under your bed," Cooper says with menacing delight. Even though the original shock rocker is well past his prime, he gets this song, and does it proper, pants-shitting justice.

God Rest Ye Merry Gentlemen - Ronnie James Dio

From the moment you hear the screech of the opening riff of this song, you'll know this isn't a Christmas rendition for mere mortals. Dio tells the classic story of the birth of Jesus Christ with the powerful and eerie wail he is known for. The song, featuring chugging guitars and a marching drumbeat that will have anybody banging their head almost immediately, is a testament to the former Black Sabbath front man's ability to make even the most simple or fantastical concepts seem terrifyingly metal and evil. But make no mistake, Dio is on a mission from God himself. A mission to spread the word of our lord and savior, and if the face-melting guitar solo in the middle of the song doesn't make you a convert, then the Holy Diver himself will force the Jesus into you with his commands of "God rest you, God take you, God bless you, ye Merry Gentlemen!" at the end of the song. Now throw up those devil horns, soldier of God! Spread tidings of good cheer, or Dio will find you.

Run Run Rudolph - Lemmy Kilmister

Although the formula that made the original Chuck Berry version of this Christmas rock song great has largely been left untouched, it's the addition of one of the most testosterone-fueled voices in metal that takes it into the most badass of territories. Lemmy Kilmister's voice is like blazin' hot sauce for the ears. Just a little bit is enough to make the most stalwart of elderly ladies get out of her wheelchair and kick Scrooge in the face. Men would finally have a reason to look forward to mass on Christmas morning with glee if Lemmy lead the processions and gave the sermon with his gruff, throaty man-growl. Using only the power of his voice, Lemmy put a full Grizzly Adams beard on Rudolph made with hair ripped from the chest of the infamous mole that resides on his face. Any more testosterone, and Rudolph would be leading Santa's Sleigh past the houses of sleeping children and onward into the heat of battle, dropping bombs on Baghdad and waging war with his bare fists.

Merry Xmas (War Is Over) - John Lennon

Were you still expecting distorted guitar riffs and unnecessarily intricate shredding on a Christmas song for it to be badass? Then you clearly don't know the definition of the word, my friend. It takes balls to be the man who stands up on one of the most joyous and festive holidays of the year and Debbie Downer that shit into the ground, but the Beatles resident hippie did it with the most famous holiday-themed protest song ever. With this song, John Lennon decided to be the Christmas version of the guy who preaches about the slaughter of Native Americans to his family during Thanksgiving meal every year. But Lennon manages to pull it off with finesse. Armed with acoustic guitars, jingle bells, and a children's choir, Lennon reminds everyone that while they're at home on Christmas morning opening their presents under the tree, wars and violence still rage on elsewhere. He manages to do what no one else can: make being a hipster douchebag on Christmas feel much more tolerable than it really should, and for that, "Merry Xmas (War Is Over) is truly a badass Christmas song.